Crossing the T’s: On Rahama Sadau’s Feud with Ali Nuhu

The entertainment industry is construed to be synonymous with scandals. Everything an actor does will not go amiss by the public eye and a small mistake committed by them might turn out to be a disaster on their careers. Scandals on the side cannot be entirely condemned because there are as many benefits as there are disadvantages. For this reason, some of these actors do it intentionally for the publicity stunts while others do it unintentional.

No one does controversies in Kannywood better than Rahama Sadau these days. Few days ago, I’ve written about Kannywood actresses in this column where I mentioned how scandals and controversies catapulted the actress to the pinnacle of her career. And she’s involved in another one again, when on Saturday, Ali Nuhu’s ‘boys’ showered the actress with abuses on their Instagram pages accusing her of betraying Ali Nuhu despite the fact that he’s her mentor and has been with her right from the pit of her career.

Rumours has been going around that the actress is lately not in good terms with Ali Nuhu because he didn’t cast her in FKD’s next hit movie, Abota. When I turned to Sadau for comment, she told me that this is all a baseless rumour that’s been spread across by mischievous elements just to tarnish her image. She seemed so surprise that I would even care to ask her about it even though I know her loyalty has always been with him. “Come on, Hafsat you too believe in these kinds of rumors? There’s nothing like not in good terms with Ali Nuhu. How is that even possible? Ahh!”

She told me that she equally know about it that day after a colleague called and told her to log on Instagram and see what’s going on. She described it as a planned attack on her person by people who are not happy with her successes.

We could still recall that Sadau is still not officially back on stage which could be a reason she’s not been casted in the film or simply because she doesn’t have a role to play in it. Somebody like Ali Nuhu casting Rahma in a film while there’s a ban on her would bring more shame and disrespect to the industry; which is already infamous for lacking strong authoritative bodies.

Hafsah Lalo is a writer hailed from Jos, Plateau State. She is Currently a student of Information Technology at the Abubakar Tafawa Balewa University Bauchi. You can follow her on twitter: @Grtsunnist

Crossing the T’s: On Road to Stardom, Being at the Top and Staying There.

Whenever we find ourselves in the midst of people we have the same movie taste with, we like to talk about movies, our favorite actors, why we love them as well as compare them with our friends’ favorites too, in many fronts. Amongst Kannywood viewers, we talk about whose stardom will make whose stardom wanes, etc For instance, many people believe that if Ahmad S. Nuhu were alive Adam Zango will not be this famous because S. Nuhu might have completely over shadowed him.

Talking about the female actors, we had Zainab Indomie in the past few years as a household name for Kannywood fans. The actress managed to steal the hearts of the audience with her performances which were groundbreaking in delivery, her impeccable looks, charm, and her ability to express any kind of emotion. She featured in movies that would probably never be forgotten such as Ga duhu ga Haske. We all adored her and enjoyed watching her display her talents…

Until Nafisa Abdullahi made a grand entrance into the world of stardom immediately after featuring in FKD’s Sai watarana. Bold, passionate and master of her emotions; no living Kannywood actress has astonished the viewers over the past six years as much as Nafisa Abdullah. Her path to stardom was also the beginning of the end for Zainab Indomie. It’s not as if we couldn’t have more than one star at the same time. We could, there has always been Jamila Nagudu, though that’s a story for another day because she is the female version of Ali Nuhu. All other actresses will come and go while she undebatably remain the overall best actress in Kannywood.

Aside from Jamila Nagudu, there will always be another actress who would top the list, and at a point in time, Nafisa Abdullahi was on top of that list. She could display the perfect combination of intellect, strength, vulnerability and even ‘badassing’. As a die hard fan of Zainab Indomie, I always say it’s because of Nafisa that we hardly see the face of our star on the screen then because she features in virtually every hit movie then.

Nobody gets to the top and stay there forever. The sizzling siren made her debut and and within a year, she had already made a mark. If you tell me that Rahma Sadau defined her career not with exceptional performances but with scandals, media presence, breaking barriers etc etc, I wouldn’t argue with you.

Talking about media presence, it is arguably the biggest tool actors use to make sure they stay at the top. Rahama for example knows the importance of media, how it operates and how to interact with people especially her fans. She knows what it takes to be a star, how to get to the top and stay there. She’s simply a master of the game. She came to the industry with an unprecedented uniqueness which is the number one thing that drew the attention of audience to her, including those that are ashamed of being called Kannywood fans. She carries herself the way her Nollywood, Bollywood and even Hollywood counterparts do. She have managers run her affairs from on set, she reads, watch movies and TV shows, she tweets more for example, about Big Brother Nigeria, football, etc alongside her fans and all those little things people relate to, is what brings media influence. If you ask me to pick five best actresses in Kannywood based on on performance, I will definitely not pick Rahama but if you just ask me to pick top five without being specific, don’t be surprised if you find her name as number one on my list.

It’s important to point out that, especially how she’s been busy on twitter recently, Hadiza Gabon epitomizes good acting and media presence. People actually relates to how tolerable she is on twitter and fans interact with her more easily.

That brings me to my main discussion. New talent has been discovered by Ali Nuhu -who is infamous for transforming even those not born with acting talents into the best actors. This new talent is Maryam Yahya, who started with an FKD movie which is a surer path to stardom than any other path in the industry.So, there were discussions, projections already by Kannywood followers that soon she’ll be a force in the industry and that Sadau’s fans are beginning to see her as a threat.

This is really surprising. And although these kinds of premature predictions and knee-jerk reactions are bound to happen, it is hard not to be amazed. We’ve only seen Maryam Yahaya mostly on video songs so far and you can see she has done really well for herself as very few actresses don’t get intimated acting alongside Ali Nuhu. She doesn’t get overshadowed and you could feel her presence in the songs.

As discussed, the road to stardom is a long and hard one. Do we really think Maryam is a ‘giant killer’? That remain to be seen. As for beating any other actress or particularly Rahma Sadau, it’s worth to remember she came into Kannywood while Sadau has already gone international, already featured in Nollywood films, lunched and dined in Beverly Hills with Akon, met some Bollywood producers in India, talked with Priyanka and Davido on twitter. She will definitely not stay at the top forever, her stardom will also wane just like other top talents before her, perhaps sooner than we expected but career wise, she’s currently the most improved and most focused in the industry. Maryam Yahaya will not push her away, but if she is determined who knows.

Hafsah Lalo is a writer hailed from Jos, Plateau State. She is Currently a student of Information Technology at the Abubakar Tafawa Balewa University Bauchi. You can follow her on twitter: @Grtsunnist

Movie Review – Mansoor 

“Something different? Not a love story” was the director’s response when he was asked what surprise would audience expect from his latest movie Mansoor. 

His statement could stand a trial because Mansoor, for the most part, is an adventure of an enthusiastic young man in search of his identity. It is an adventure that is triggered by love, fueled by uncertainties and driven by desperation. This adventure leads to another emotional story so expertly told and presented one can’t but appreciate the director’s story telling.

No movie is without flaws, or at least few areas that could use improvements. The good thing with Mansoor is that every single facet is at worst, average. There are few story arcs that are recycled and though I can’t tell whether it is from the movie or the projector, the movie struggled to fit perfectly on the screen. As a result, the subtitle was hardly visible; the colour grading could have been better, the nights and days appeared almost identical.

However, Mansoor has so many strengths to counteract those weaknesses. The excellent production value is at display throughout the movie. Every detail has been attended to. From the sets, to the costumes, to the make up, to the locations.

The director has gotten most out of the actors. The dialogue is refreshing and the delivery, perfect. The scores could have been more frequent. The songs are exciting. The dance sequences are colorful and impeccably acted.

One thing that deserves special mention is the stylish direction. The shots are neat, elegant and stylish. The attention to detail is superb. The way he puts up the story is remarkable. It is said that the act of telling a story is better than the story itself. This statement has never been truer. From the way he mixes voice-over with footage, to the way he motions the camera, to the way he changes the mood and expressions of the actors; it is truly a remarkable piece of directing. 

Spending such a huge amounts on actors that are barely known by audience is a risky business few producers could take. Such boldness could be the reason why FKD has stood the test of time. Can others follow? Only time can tell. 

Mansoor is wonderfully observed, stunningly shot and thanks to so many breakout performances, a must watch in Cinemas. 

Cast: Umar M Shareef, Maryam Yahaya, Ali Nuhu, Sadiq Ahmad, Abba El-Mustapha, Baballe Hayatu, and others. 

Screenplay: Jamil Nafseen. 

Producer: Naziru Dan Hajiya. 

Director: Ali Nuhu

Maryam Yahaya: From Grass to Grace 

Maryam Yahaya

She may or may not remember the date, but the day and the name Mansoor are hard to be forgotten. Maryam Yahaya’s first major role as an actress was in the movie titled Mansoor, from an FKD production. It was on the 19th of December 2016 when an actress, Balkisu Shema, who was supposed to play the lead role didn’t show up on time for an unknown reason; therefore, the man in charge – Ali Nuhu – decided to go ahead as planned. Without wasting much time, Maryam Yahaya was auditioned and got the lead role. It wasn’t as easy as I just said it, for many things had happened before Maryam’s status completely changed from an ordinary back-up artist to a superstar.

As usual, like all other Kannywood movies’ sets, it began with an opening prayer from one of the assistant directors, Alfazazee Muhammad. Right before that, I noticed how everyone else came to the set, using different mobilities from different locations within and outside Kano. People like Alfazazee, Umar M. Sharrif, and co came from Kaduna; myself came all the way from Gombe, a night before. This showed the sagacity of commitment, at least from many of us, knowing that we had something to do. The actual shooting began with scene eight, first shot. If I would forget something that day, it won’t be from what I just mentioned.

Before the first scene, I noticed some strange moves from the producer, Naziru Dan Hajiya. He made several phone calls, all with his face in despair. Within a short-time, side talk began, then few questions about the logistics, accommodations, transportations and welfare of the casts and crew, and so on. Finally, Ali Nuhu decided to drop Balkisu Shema for no call, no show offence. He summoned all the actress and picked only two out of 15 or so; he gave them some lines to practice, timed them as well. After a short while, he called on whoever was ready among the two; they were all silent for a moment, then one of them came out looking so nervous, but braver than the other I guess. 

Maryam first from left and the other girl auditioning for the role

Ali Nuhu and Yunusa Mu’azu practiced one of the lines just to give her (Maryam) an idea of how the scene should look like. She walked down with the co-leading actor, Umar M Sharrif. It was so captivating as a mixture of improvisation and a little mimicry blended with self-esteem. That’s exactly what Nuhu was looking for. Ali Nuhu quickly said: Ke kinci kawai (you got it). I couldn’t believe it myself – it was breathtaking! 

Maryam’s status changed right there; she’s came in as a back-up artist and walked-out with a mixed feeling of a dream-like on one side, and a star-like on the other. Not too long after the first scene, the set continued with subsequent scenes though not in an orderly fashion. After several scenes, Shema decided to show-up. Was she late? Was she right on time? Or was she just cost herself a huge chance, maybe an only chance to feature in FKD’s film? These might be the questions pondering in her chest right from the time she stepped into Yan Dutse, a private school opposite Kano Capital School.

Maryam practicing her lines after she was chosen as the lead actress

The long story short, Shema faced Ali Nuhu, and apologized for the inconveniences she might have caused. Nobody, of course, was happy with what she did. But who cares? ‘Maryam is delivering the exact service needed, I’m satisfied.’ That’s how I interpreted Ali Nuhu’s mind at that very moment. In another interpretation, ‘I am the boss here, I don’t give a damn.’ But Ali Nuhu was soft on Shema. He said it’s okay; I am not holding you for what just happened and our relationship remains the same. However, we have already gone far enough to the point of no return (not exactly his words). 

It wasn’t an easy feeling for Shema, considering the fact that many actors were longing so hard to feature in an FKD movie. Here was someone given the chance, but blew it away just like that. Believe it or not, Shema had no reasonable excuse to be late, for her accommodation, transportation and meals were all settled prior to the beginning of her contract. I would have interviewed Shema, but for a moment I hesitated, given her unwelcoming face at the time of the shock. So, instead, I went for Maryam.

Maryam and Umar M Shariff

Maryam Yahaya was born in Goron Dutse, Kano. She did her Primary school in Yelwa, and moved to Bokabo Barracks where she obtained a High School Certificate. Her ambition for acting started right from childhood. As a child, Maryam was inspired and fascinated by most of the Kannywood movies she watched. Like many other Muslim girls from northern Nigeria, her parents are very strict and conformist when it comes to moral upbringings, but she was able to convince them to let her try a career in acting. Unlike many other Kannywood’s actresses, Maryam made her way into the industry independently. Her first film was Gidan Abinci, followed by Barauniya, and Tabo. She only played minor roles in all the three movies mentioned. Her role in Mansoor was a game changer. Maryam is a young teenage actress. She is just nineteen-year-old, but she looks younger than her age.

On the set

Perhaps it would have been a different story maybe if Shema had shown – up on time. Had it been that the other girl was auditioned before Maryam, I would be writing a different piece. All the two actresses (Shema & the other girl) are way taller and older than Maryam. Compared to Maryam, Shema & the other girl are brighter in complexion, which would have been a perfect match for Umar M. Sharrif, himself been fair in complexion. However, one thing that sets Maryam apart from the other actresses is perhaps her sang-froid.

 She so much composed herself and danced to the new tunes. The more she faced the camera, the better she became. She pulled herself all together and juiced out the new character in her throughout the set of Mansoor. Maryam became so acquainted with the people and the atmosphere. She was in the beginning too nervous probably because of the people around. She couldn’t resist or keep a straight look at the caliber of people like Ali Nuhu or Bashir Nayaya without bending down her head. Also, it was hard for her to get away with the usual unannounced solidarity visits of famous Kannywood names like Kamal Alkali, Nazifi Asnanic, Nuhu Abdullahi, Usman Mu’azu and many more.

Following the set of Mansoor, Maryam has been hired to feature in a number of upcoming blockbuster movies. She climbed a new ladder of life, shuttling from one city to another, shooting more films in a bigger role than just back-up actress. She’s all over social media posting pictures or short clips of herself while on set. Sometimes connecting with her fans on a live video chat while lying down in a doubled bed or a sofa from an interior space of her room in a three-star hotel.

By: Nura Abubakar 

Twitter: @Noorer 

Kannywood Stars Share New Year Resolution 

It’s 2017,  and as a common New Year traditions, most people make make vows to accomplish one or two goals or resolve to change an undesired trait or behavior in their lives. We’ve asked Kannywood stars to tell us their new year resolution…. 

Ali Nuhu… “Boosting the marketing wings of FKD Productions”

Nafisat Abdullahi… “Marriage….. ”

Yakubu Muhammad… ” I’ll stop thinking too much and avoid anything that will keep me away from positivity ”


Rahama Sadau…“Spend more time with people that matter, doing what matters.” 



Nuhu Abdullahi…” Overcome a fear, be sincere about punctuality and commitments”

Baballe Hayatu… “May peace and happiness be with everybody. May peace reign and recession be a thing of the past in Nigeria. May Kannywood business boom in 2017.

By: Ibrahim Umar Bello 

Twitter :@aaramz

Ali Nuhu – Rahma’s Ban Was Too Harsh 

In an interview with the Daily Trust, the King of Kannywood said that MOPPAN’s decision to expelled Rahama Sadau from the industry was too harsh. 

He said that Rahama violated Kannywood’s codes of conduct by holding ClassiQ’s hands and falling on his back in the music video but adviced that a lesser punishment would have sufficed. 

“I don’t think she should be banned. Maybe a suspension. There are situations where people create big things out of small ones. That is why before deciding to do something, one needs to think. I would advise that in the future when things like this happen, they deliberate amongst themselves and maybe call in a few others in the industry before making it public. People do things in an organization and are suspended or given queries, but these organizations won’t go to the media and announced it. It was blown out of proportion,” Ali Nuhu added. 

He also said that MOPPAN are not biased, those pictures people are sharing on social media are from his old Nollywood films long before the code of conduct came in to light. 

10 Reasons Why Kannywood Fans Love Ali Nuhu

1974; Christian Barnard transplants 1st human heart. Lucy an almost complete hominid skeleton of over 3 million years old was discovered in Africa. MRI Scanner was developed. West Germany wins the 1974 World Cup. Yakubu Gowon was the President of Nigeria. The minimum annual wage of N720 giving to Nigerian civil servants was equivalent of $1200. Abuja was a no man’s land. And somewhere in north-east Nigeria, Ali Nuhu was born.
42 years later, and Ali Nuhu Mohammed was no ordinary man. He’s one of the most successful film stars in Africa and the most popular Hausa actor in the world. The King of Kannywood. In celebration of his 42nd Birthday, here’s our list as to why Kannywood fans love him so much.

1. From Sangaya and Wasila to Sai Wata Rana and Lamiraj to Ina Miji Na and Jarumin Maza and many more, Ali Nuhu owned his characters and stole the heart of Kannywood followers with his over the top performances.

2. For his social media presence. With almost 90 thousand followers on twitter, 900 thousand on Facebook and and 162 thousand on instagram, Ali is by far the most interactive Kannywood star on social media.

3. For being a self-made man. “….I have dreamt of it, but had great passion for it, those days when we were miniature we stayed glued to our TV screens, watching movies and you wish to become like who you are seeing on TV, you know *laugh*. I watched a lot of soap series and that was where I got my verdict from.” That’s determination to succeed despite many challenges.

4. For Being a proud Hausa man: Ali Nuhu’s recognition and fame stretches far beyond Nigeria and Africa. His choice of clothing during his first AMAA and Afro-Hollywood awards were testament to how proud he is to come from northern Nigeria.

5. FKD Productions. The Home of Family Entertainers produced fantastic films like Mujadala, Kudiri, Sansani, Gambiza, Dan Baiwa, Fil’azal, Adamsy, Madubin Dubawa, Gamu Nan Dai and more.

6. For Making us fall in love (or not): Love battles, songs, dialogues from films like Sharhi, Abadan Da’iman, Qugiya, Taraliya, Zabari, Sai Wata  Rana, Kaso A So Ka, Ni Dake Mun Dace…. Ali Nuhu has given the die-hard romantics what they desire. The master of love stories.

7. For his help in launching the careers of so many Kannywood stars like Late Ahmad S Nuhu, Adam A Zango, Fati Muhammad, Lawal Ahmad, Sadiq Ahmad, Nafisa Abdullahi, Nazifi Asnanic, Maijidda Ibrahim, Zahradden Sani, Sadiq Sani Sadiq, Maryam Booth, Rahma Sadau, and many more.

8. For bringing out the best in his directors: Most of the best movies we saw from Late Tijjani Ibrahim, Ishaq Sidi Ishaq, Rabi’u Ibrahim, Aminu Saira etc featured Ali Nuhu in them.

9. For making trailers a bearable experience: Take those voice overs out of the equations and perhaps we won’t waste our time watching the trailers again and again.

10. He is a family man: Ali Nuhu is his own love story. His respect, love and care for his wife Maimuna and their children Fatima and Ahmad has kept the family happy for over a decade now. An example.

Happy Birthday Mr Superstar, may you live long and continue to blossom….

 

Written By: Ibrahim Umar Bello

Email: iubello50@gmail.com

Twitter: @aaramz

 

 

 

Kannywood Awards 2016: Complete List of Winners

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Rahma ans Washa
Rahma ans Washa

At the Kannywood awards 2016, Three special awards were given at the beginning of the ceremony: The special Kannywood Merit Award, went to His royal Highness Malam Auwal Ibrahim, the Emir of Suleja; a Posthumous Life Time Achievement Award went to the pioneer director late Tijjani Ibraheem; and Special Merit Award went to Malam Sunusi Shehu Daneji, who coined the term “Kannywood” in 1998. Below are the list of the winners:

Best Film: HINDU

Best Cultural Film: NA HAUWA

Best Director: ALI GUMZAK for Baiwar Allah

Best Script: YAKUBU M. KUMO, for Bayan Duhu

Rahama Sadau on the red carpet
Rahama Sadau on the red carpet
lawal ahmad
lawal ahmad

Best Actor: SADIK SANI SADIK, for Bayan Duhu

Best Actress: NAFISA ABDULLAHI, for Baiwar Allah

Best Supporting Actor: LAWAL AHMAD, for Da’iman

Best Supporting Actress: FATI SHU’UMA, for Basma

Best Comedian: SULAIMAN YAHAYA BOSHO, for Rumfar Shehu

Best Villain: HARUNA TALLE MAI FATA, for Farmaki

Best Child Actor: MARYAM BABA HASIN, for Basma

Best Cinematography: Mr. D’MEJ, for Hindu

Best Editor: ALI ARTWORK, for Gwaska

Best Visual Effects: MUHAMMAD ALI, for Hindu

Best Sound: SURAJ A. IBRAHIM and MUSTAPHA AUWAL, for Gwaska

Best Music: UMAR M. SHARIF, for Uba da Da

Best Set Design: TAHIR I. TAHIR, for Hindu

Best Costume: AMINU ONE EYE, JIBRIN CHA and SANUSI SHAMAKI, for Hindu

Best Makeup: ALHAJI SUJI, for Hindu

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AMMA Awards 2014 – List of Nominees

Arewa Music and Movie Awards season 2 is back. Here’s the list of nominees.

BEST ACTOR CATEGORY

  • SADIQ SANI SADIQ for KISAN GILLA
  • ALI NUHU for SAI A LAHIRA
  • YAKUBU MOHAMMAD for WANI ZAMAN
  • ADAM A ZANGO for BASAJA TAKUN FARKO
  • ZAHARADDEEN SANI for DAGA NI SAI KE

BEST ACTRESS CATEGORY

  • JAMILA UMAR NAGUDU for MAI CIKI
  • NAFISAT ABDULLAHI for ‘YA DAGA ALLAH
  • RAHAMA SADAU for DOGON ZAMANI
  • HALIMA. Y. ATETE for DAKIN AMARYA
  • AISHA ALIYU TSAMIYA for GUDAN JINI
  • HADIZA ALIYU GABON for ACI BULUS

BEST SUPPORTING ACTOR CATEGORY

  • RABIU RIKADAWA for UWAR MUGU
  • ZAHARADDEEN SANI for DAGA NI SAI KE
  • NUHU ABDULLAHI for KARKARA
  • MUSTAPHA MUSTY for ABBAN SIYAMA
  • MUSTAPHA NABURUSKA for BASAJA TAKON FARKO

BEST SUPPORTING ACTRESS CATEGORY

  • MARYAM GIDADO for TSAKANI NA DAKE
  • UMMI EL-ABDUL for DAUKAR AMARYA
  • SALIMA AHMAD for UWAR MUGU
  • RASHEEDA AHMAD for HALWA
  • FATI ABDULLAHI WASHA for YA’ DAGA ALLAH

BEST UPCOMING ACTOR CATEGORY

  • NUHU ABDULLAHI for WANI MUTUM
  • ISAH ADAM (FEROUS KHAN) for ZEE ZEE

BEST UPCOMING ACTRESS CATEGORY

  • RAHAMA SADAU for DOGON ZAMANI
  • KHADIJA MUSTAPHA for BUTULCI
  • SALIMA AHMAD for UWAR MUGU
  • UMMI EL-ABDUL for DAUKAR AMARYA
  • HAUWA MUKHTAR for SO ALJANNAR DUNIYA

BEST VILLAIN: MALE CATEGORY

  • ZAHARADDEEN SANI for DAKIN AMARYA
  • RABIU RIKADAWA for TUFKA DA WARWARA
  • ISAH FEROUS KHAN for BINCIKE
  • BASIRU DANMAGORI for KARKARA

BEST VILLAIN: FEMALE CATEGORY

  • AISHA DAN KANO for ZAWARAWA
  • LADIDI FAGGE for KARKARA
  • HALIMA YUSUF ATETE for DAGA MURNA

COMIC ACTOR CATEGORY

  • MUSTAPHA NABURUSKA for ANDAMALI
  • RABILU MUSA IBRO for ATIKU
  • SULEIMAN YAHAYA BOSHO for MAI FARIN JINI
  • RABIU IBRAHIM DAUSHE for DIREBAN MAHAUKATA
  • YUSUF HARUNA BABAN CHINEDU for HASSANA DA HUSSAINA

BEST DIRECTOR CATEGORY

  • ALI GUMZAK for DOGON ZAMANI
  • YASEEN AUWAL for SAI A LAHIRA
  • AMINU SAIRA for ALI YAGA ALI
  • HAFIZU BELLO for BINCIKE
  • ALI NUHU for NI DAKE MUN DACE
  • KAMAL .S. ALKALI for ZEE ZEE
  • FALALU .A. DORAYI for MAI CIKI

BEST UPCOMING DIRECTOR CATEGORY

  • NASIR ALI KOKI for UWAR MUGU
  • AUWAL .D. YAKASAI for HASSANA DA HUSSAINA
  • IBRAHIM EL-MU’AZAM for DAUKAR AMARYA
  • KAMAL .S. ALKALI for ZEE ZEE

BEST PRODUCER CATEGORY

  • UMAR .S. KOFAR MAZUGAL for SAI A LAHIRA
  • NAZIR DAN HAJIYA for MAI CIKI
  • UMAR ISAH (BUT CUT) for DOGON ZAMANI
  • ABDULAZIZ DAN SMALL for ZAWARAWA
  • ABUBAKAR BASHIR MAISHADDA for BINCIKE
  • NAZIFI ASNANIC for DAGA NI SAI KE
  • USMAN MU’AZU for DAKIN AMARYA
  • TAHIR .I. TAHIR for BASAJA TAKUN FARKO

BEST DEBUT/PROMISING PRODUCER

  • NAZIR DAN HAJIYA for HANYAR KANO
  • YAKUBU INUWA KARI for TSAKANI NA DAKE
  • ABUBAKAR BASHIR MAI SHADDA for HAR DA MIJINA

BEST MOVIE: CONTEMPORARY

  • TSAKANI NA DAKE
  • BINCIKE
  • WANI ZAMA
  • ALI YAGA ALI
  • DOGON ZAMANI
  • DAGA NI SAI KE
  • BASAJA TAKUN FARKO
  • MAI CIKI
  • SO ALJANNAR DUNIYA

BEST MOVIE: EPIC

  • SARKIN JATAU
  • HINDU
  • AS HABUL KHAFI

BEST EDITOR CATEGORY

  • SULEIMAN ABUBAKAR for SO ALJANNAR DUNIYA
  • DIMEJI SUNDAY VICTOR for ATIKU
  • ABUBAKAR BABAWO for DAGA NI SAI KE
  • ALI ARTWORK for KANIN AJALI
  • YAKUBU USMAN for GADAR ZARE

BEST CINEMATOGRAPHY CATEGORY

  • DIMEJI SUNDAY VICTOR for DAGA NI SAI KE
  • AUWAL DANLAMI JOS for ACI BULUS
  • MURTALA BALALA for ‘YA DAGA ALLAH
  • ISMA’IL .M. ISMA’IL for BASAJA TAKUN FARKO
  • UMAR GOTIP for KANIN AJALI

BEST STORY CATEGORY

  • DOGON ZAMANI
  • SAI A LAHIRA
  • SABUWAR SANGAYA
  • WANI ZAMA
  • ALI YAGA ALI
  • BINCIKE
  • HAWAN DARE
  • ACI BULUS
  • MAI CIKI
  • YA’ DAGA ALLAH

BEST DIALOGUE/LINE DIRECTOR CATEGORY

  • HAFIZU BELLO for BINCIKE
  • KAMAL .S. ALKALI for ZEE ZEE
  • ALI GUMZAK for DOGON ZAMANI

BEST SCREENPLAY CATEGORY

  • SAI A LAHIRA
  • ALI YAGA ALI
  • NI DAKE MUN DACE
  • ACI BULUS
  • HAWAN DARE
  • BASAJA TAKUN FARKO
  • ‘YA DAGA ALLAH
  • DAGA NI SAI KE

BEST MUSIC SOUND ENGINEERING CATEGORY

  • ISAH GOMBE
  • BELLO VOCAL
  • SULEIMAN SANI SONICMAN
    KAST

BEST UPCOMING/PROMISING HIP HOP CATEGORY

  • RICQY ULTRA
  • EL-CYRUS
  • YOUNG SAMMY
  • NASIIM

BEST CULTURE/TRADITIONAL CATEGORY

  • NASIBI SARKIN WAKA
  • AMINA AZAN
  • YUSUF .I. KARKASARA

BEST COMEDY MUSIC CATEGORY

  • BOBBY HAI

BEST SPECIAL VISUAL EFFECT CATEGORY

  • ALI ISAH JITA
  • YAKUBU MOHAMMAD
  • SANI DANJA
  • ADAM .A. ZANGO
  • AMINU ABBA UMAR NOMIIS G

BEST MUSIC VIDEO DIRECTOR CATEGORY

  • ADAM .A. ZANGO
  • SANUSI OSCAR
  • DIMEJI SUNDAY VICTOR
  • IBRAHIM MOHAMMED KAST

BEST MUSIC VIDEO CATEGORY

  • AMINU ABBA NOMIIS G
  • ADAM .A. ZANGO
  • ALI ISAH JITA
  • YAKUBU MOHAMMAD

BEST R & B CATEGORY

  • BUZO DANFILLO
  • SONICMAN
  • NASIIM

BEST HIP HOP CATEGORY

  • MIXTER BASH
  • EL- CYRUS
  • MIC FLAMER
  • LIL TEA
  • NOMIIS G

BEST MUSIC NAME

  • ALI ISAH JITA
  • YAKUBU MOHAMMAD
  • ADAMU HASSAN NAGUDU
  • ADAM .A. ZANGO
  • NOMIIS G

BEST ALBUM

  • NURA .M. INUWA
  • ADAMU HASSAN NAGUDU
  • USAINI DANKO

BEST HIP HOP REVELATION CATEGORY

  • MIXTER BASH
  • HAZY .D. STAR
  • LIKITAN WAKA
  • MIC FLAMER

On Rahma Sadau’s Suspension And Ali Nuhu’s Silence

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Last week- precisely on 4th of March- Kannywood actress, Rahma Sadau, was suspended by the Motion Pictures Practitioners Association of Nigeria (MOPPAN) for publicly claiming she was de-casted from Adam A Zango’s movie, Duniya Makaranta, after she rejected his romantic advances.

The announcement garnered criticisms from filmmakers; Aminu Saira, Yaseen Auwal, Umar UK, for example, publicly denounced the suspension. This revolutionised a social media campaign against the suspension. Well, as cynical as this may sound, I am here to say something nice about the suspension, so listen very carefully. I think MOPPAN were right about one thing: Rahma Sadau’s misbehavior does ‘warrant’ a punishment- probably less severe than the one given, probably more- but the actress deserves to be punished.

Ultimately, the aim of Punishment is maintenance of public order. When an individual’s intentional action results in somebody else’s discomfort, the scale of Justice is out of balance, and sanctioning that individual restores that balance; hence, Rahma Sadau should pay for her action. The aim of punishment can also be prospective, for it serves as a warning to others and reduces likelihood of future transgressions, thereby promoting social harmony.

Of course she apologised, but apology doesn’t completely revoke punishment. Still, were it a mere abuse, her apology would probably be on equal footing with her misdeed, but it was ‘defamation’, which is far too detrimental to the harmed party, and too insoluble in apologetic solvent; her comments were aimed at damaging his reputation, making them too offensive to go unpunished. That aside, human being of whatsoever status deserves some degree of respect, her comments were too disrespectful.

“the punishment,” some people would say, “is one-sided.” One will have hard time invalidating this assertion, for even a cursory examination of the affair points to this. To begin with, I think pardoning Ali Artwork was not only wrong, it was ridiculous.

As a matter of fact, the whole affair was/is of little interest to me, which might be why when I looked at it, what interested me more than what happened was what didn’t happen. After Adam A Zango laid down his case, you had expect Ali Nuhu to come floating off the mountains scrutinizing every claim Zango made and tearing his pieces apart. Instead, he remained SILENT, and the more I thought about it, the more it made sense to me.

Instead of ranting and raving about Zango’s comments, Ali Nuhu allowed his true colors to shine through keeping quiet. People may interpret your silence as weakness or fear, but it takes courage to say nothing; here lies your strength. The strong are not always known for their strength, but their discipline and restraint. After all, Silence, they say, is one of the most difficult arguments to refute.

Stooping to his level to depend himself would be a defeat already. “I won’t dignify that with a response” applies here. His response would give Zango’s words an authority they hardly deserve and would become a stumbling block to future resolution. Most third parties would grasp that he didn’t respond not because what Zango said was right, but because his comments hardly warrant a response.

Silence, also, leaves him much less open to further onslaught. Had he spoken, he would have given other snipers consent to fight him, to quote him out of context. Words are powerful and so is knowledge. When you tell people what you are thinking or doing, you are making a decision to empower them with information- and you may unintentionally be giving them ammunition to exploit you. Ali Nuhu’s silence was an excellent choice.

If you are still excitedly talking about this rift, don’t be surprised to see Ali Nuhu posting his picture with Zango tomorrow on Facebook. Silence is golden, exercise it!!!

Written by: Anas Abdullahi
Twitter: @a9united1
Email: a9united@gmail.com